Fresh out the studio, Lila Ike’s second single, “Gotti Gotti” is available on all platforms; stream it on Soundcloud, YouTube or Spotify, buy it on iTunes or Amazon, what are you waiting on? Lila is basically telling off the greedy people roaming the earth. In Jamaica there’s a saying “Wanty wanty nuh get it and getty getty nuh want it” which translates to “those who want it aren’t getting it and those who got it don’t want it.” In this song, miss Lila is playing on the saying; instead she says “you got it but you ever (still) want want…” Leaving little for those who have none at all. Straight out of Jamaica under the In Digg Nation Collective, take a listen to Gotti Gotti by Lila Ike.
Follow @_LilaIke on Twitter and @LilaIke on Instagram. The track artwork is by @PaigeZombie on Instagram.
Today I have a new reggae song on the scene, “Punchinella” by Pentateuch Movement. I appreciate the authentic ‘rootsy’ sound of the riddim. In the song he’s telling Punchinella what he has to offer, some reasons she should accept his love. Though, Punchinella has her sights set on someone else. Take a listen to Punchinella, tell me what you think in the comments below!
Follow @PentateuchMove on Twitter and @PentateuchMovement on Instagram.
We had gathered for the launch of “Lily Of Da Valley” Jesse Royal’s debut album. The event was amazing; it was beautiful to see all the fans come out, despite the rainy weather we had a packed venue. The Serengetti space in Hope Zoo is home to the the Rib Kage restaurant. It was my first time at the newly formed restaurant. The venue was arranged to fit a large stage, as well as space for standing and a few seating options. The green surroundings gave a feeling of being in a forest, a people filled forest though. The venue was filled was warm energy as people milled about, waiting for the start of the show.
The night began with a short question and answer segment; where Debbie Bissoon asked Jesse Royal questions. To name a few, she asked what was his inspiration for the name of the album, what he stood for as a Rastafarian, and for a couple words to young artistes on how to get motivation to pursue this life. He said he got inspiration from his Grandma, when he was younger she would take him to church with her, and he enjoyed hearing the choir singing, “Lily of the Valley.” As a Rastafarian Jesse Royal is fighting for love, family and strength. To give a few wise words to upcoming artistes, his advice is to “follow what’s inside you…” He went on to say there’s a voice inside of each and everyone, and once you reason with yourself and get to understand the being that is you.; you will figure out how to persist on your journey. Only you can figure it out.
Three of Jesse’s favourites off the album are 400 Years, Always Be Around, and Jah Will See Us Through. He explained that 400 Years is a reminder that the struggle nuh done, Always Be Around is from the birth of his first child, it’s telling his daughter, he will always be around. And Jah Will See Us Through is a special song to him, it gave hopefulness in certain situations during this year, this song iterated that, “There’s a God that run bout yah and no weapon formed against you shall prosper.” To close the Q&A segment they played songs off the album for us.
After a short break Jesse took the stage with his full band, firstly giving us 400 Years. He almost went through the entire album. Anyone that’s a fan can attest to his soulfulness while performing. He gained the attention of everyone in the crowd as he sang, we could feel the energy and intent of his songs as he performed. He sang Life Sweet, Stand Firm, Roll Me Something Good, Real Love, Rock It Tonight, Generation, Jah Will See Us Through, Modern Day Judas, and Always Be Around. He ended the lovely night with a meet and greet with the fans.
“Lily Of Da Valley” by Jesse Royal is now available worldwide, purchase the album at JesseRoyalMusic.
Follow @JesseRoyal1 on all social media platforms.
“One good thing about music is when it hits you feel no pain”
Reggae is…. Indescribable. It is a musical language born from a people who had no voice, people who were the downtrodden of society and cast aside. In the history of Jamaica, you will find Reggae has a prominent part to play as both a symbol of unity and peace where its lyrics held sway over the ambitions of many a youth who sought the spotlight in the good ol’ Sound System days where the One Drop ruled supreme.
Fast forward to present day where Reggae’s younger sibling, Dancehall has been dominant for the last few years and where Reggae is seen as something for the more mature crowd who are not necessarily into the raunchy and outspoken nature of Dancehall, where it is more celebrated in Europe and Japan and you wonder about the allure that Reggae has on these predominantly white/Asian cultures. You see Reggae for us (Jamaicans, Caribbeans and African races) is built in, the drums are our heartbeat, the guitar resonates with the tingles in our skin. For persons not in black culture, it is almost a rare sensation, almost like watching an eclipse and then feeling the sun on your skin again after a cold morning. Its warmth spreads and there is this feeling of calm in your body. For us, it is natural.
Lately I have been listening to to Reggae instrumentals, a strange habit I know yet it has let me have a new appreciation for where the genre is today. In the past musicians were expensive and to keep costs down, you had to keep the beat to the minimum. You had your pianist, rhythm guitarists, the drummer who was the heartbeat of the riddim with the One Drop and then of course the bassist who is the soul with the rhythmic, resonating thumm thumm in the background . Then there was one additional sound to add, whether this was a horn or a harmonica or the mento box but something to “sweeten the beat.” This of course meant that your lyrics in a sense were front and center. Think of Dub Poetry as Reggae’s other cousin with the beat helping to tell your story but can also tell a story BY itself. Dancehall as a pop variant of Reggae is a slave to the whims of its younger audience, having to move to trends and fads remember the auto tune (computer voice) phase that almost every genre went through? Exactly.
Reggae’s deliberate and sometimes unconscious simplicity is what gives it that ability to transcend cultural borders and norms. It’s one of the reasons why long after his death Bob Marley’s Three Little Birds even without its lyrics feels like a song that one can wake up to, “Redemption Song’s” instrumental has a feeling of deep thought, sadness and hope, “Is This Love?” has a joyous and questioning feel to it. Reggae’s roots in simplicity and the earnestness of its everyday practitioners in the ghetto who valued togetherness and had a certain honest nature to them is welcomed even more so that it is so rare these days. After all if you do Reggae these days, you do it for the love not the likes.
Hey guys, summer is coming to a close, so let’s make the best of it. The events are still up and running, here is a short list of things happening this week. Comment below if you’re interested in checking out one of these events!
It’s Wednesday so I got some brand new tings to share with you. Ras-I released an ode to the beautiful black woman, titled “Nubian.” This song touches your soul from the instrumental intro, as he strongly says, “It’s hard to find the perfect words, to tell you how I feel…” Same! That was my exact sentiment in regards to this instrumental. I must admit as a black woman, this song truly made me feel special, appreciated even. Ras-I boasted a number of amazing traits of his black woman. Though this is about the lovely women out there, this song is one to rock along to with someone special, take a listen to Nubian.
This is what we’ve been waiting for, the official visuals for Protoje’s eminent single, “Blood Money.” The music video goes deeper into the dialogue of corruption in Jamaica. Take a look at the official music video below.
Today I have a lovely lady that caught my eye at the launch of Coming In Hot. Yeza took to the stage and sang her first single, “Everyting Is Irie.” Her confidence and sense of style already had her on my good list, then she opened her mouth and I was even more pleased. She rapped her verses on the riddim and engaged her audience, she’s definitely one to look out for; take a listen to “Everyting Is Irie” by Yeza.
The Tosh legacy continues… I got to see the release Dre Tosh’s new music video at the home of the Peter Tosh Museum (the Pulse 8 Complex). Dre really came in hot by showing his great lyrical skill in his version of the Peter Tosh song, “Coming In Hot.” He raps the verses while sampling the chorus from his grandfather. Throughout the night he made great effort to pay homage to the legend. The icon’s grandson had a slew of entertainment for the evening before releasing the accompanying visuals.
The lovely Isis Miller was the tour guide for our experience that evening, and I enjoyed her humour. The first bit of entertainment was by a few friends of Dre Tosh, with each person singing a few of their songs. We heard the likes of King Kali, Devine I, Ras Kano, I-Mar Shepherd, Triple, and the only lady, Yeza. I’m not being biased but Yeza had me paying attention, I enjoyed her song “Everyting Is Irie.” We also got to see a short video about Dre Tosh and the continuation of the Tosh legacy; check it out below.
And finally the music video was played, followed by a performance of “Coming In Hot” to raise the heat some more. Definitely look out for him, I love his energy, and the connection he had with the audience. Check it out, “Coming In Hot” by Dre Tosh.
The new releases are coming too fast, I will not complain though, every week I have something new to share with you. Today I bring to you “Can’t Breathe” by Kabaka Pyramid. The wordsmith sings not only about the “mental pollution” that we face but the literal disregard of our health physically. Take a listen.